Amazon al di meola mediterranean sundance
Both are in perfect simpatico throughout, right to the scintillating and exciting climax at the end. Al's signature light-speed riffs are everywhere, while Paco plays some ferocious Flamenco. The performance opens with a dazzling duet between Al and Paco on "Mediterranean Sunset," a Di Meola composition first released on his second solo album Elegant Gypsy in 1977. All that matters is the music itself and plectrum or no, this is unquestionably some of the hottest acoustic guitar ever to have been performed in front of a live audience. But that shouldn't bother the listener one bit. Now some Flamenco purists might turn their noses up at the fact that Di Meola and McLaughlin are using a plectrum, when Paco wasn't.
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His career began officially when he became a member of Return to Forever, before releasing a series of highly acclaimed solo albums, and was also voted best jazz guitarist four times in Guitar Player Magazine (in other words, the bloke had a following). Di Meola was probably somewhere in the middle of the other two. McLaughlin was undoubtedly the most renowned, having played with Miles Davis, Chick Corea, Tony Williams, Jimi Hendrix, Santana, along with pretty much the who's who of jazz-rock and everyone else in between. Now Paco, although he wasn't all that well known outside of Spain, was already something of a super star of Flamenco, and whose virtuosity on guitar was as much respected as it was unmatched. Recorded at the Warfield Theatre, California, Friday Night in San Francisco manages to capture this triumvirate trio of instrumentalists at the apex of their abilities. Even just the concept itself was intriguingthree guitarists, and acoustic to boot! With not a drummer, percussionist, or bassist in sight. On 5th December, 1980, Al Di Meola, John McLaughlin, and Paco de Lucia were two months into what had so far been an extremely successful and creative tour.
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Relatively few classic-era jazz albums are being released on SACD at. Many thanks, Tony, for your informative and astute comments about the performances and the recorded sound.
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Kenny Dorham: Matador | Mark Werlin - November 23, 2021 We had the very great privilege of seeing Ning Feng live last evening at Bournemouth in a superb account of the Brahms Violin Concerto with the BSO under the baton of Kirill. Bruch & Tchaikovsky: Ning Feng, Yang Yang | hiredfox - November 25, 2021 There are lots of recordings of Holst's Planets, but not very many in. This is a well-regarded recording, and it certainly SOUNDS great, as you'd expect from a MoFi. Holst: The Planets - Susskind | Ben Leggett - November 25, 2021 Some have complained that the MCH mix is botched on this SACD compared to the original quad mix - I don't have that to compare against and it's entirely likely they're right. Holst: The Planets, Britten: Four Sea Interludes - Bernstein | Ben Leggett - Yesterday 12:21 pm Engineer for all three recordings is Enno Mäemets, who has. Sound quality is excellent, consistent with the two earlier Bartók BIS SACDs conducted by Susanna Mälkki. Bartók: Concerto for Orchestra, Music for Strings, Percussion and Celeste - Mälkki | Mark Werlin - November 30, 2021 Perhaps they got their inventory mixed up. Good point, Hiredfox! I dug around and, indeed, it seems BR Klassik originally produced two versions, an RBCD and a hybrid SACD. 5 - Haitink | Athenaeus - Yesterday 07:31 am
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I guess eBay may be the safest (and only?) way to go at this point. But like you I have bought most of his Beethoven. They don't seem to be among his best recordings. I actually wasn't going to buy any of these new Böhm releases either. A New Path - Reichert Recent comments Bach: 6 Brandenburg Concertos - Karajan | Athenaeus - November 25, 2021